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The materiality of paint is to be taken literally in Marian Breedveld’s paintings. Thickly applied, paint moves away from all forms of illusionism requiring renewed attention from the viewer. The thickness of its application, the ‘stratification’ of the paint becomes the meaning of the work. The many layers on top of each other do not create a representational image, but of vision of substance leading to a physical sensation …
February 23 2012 • 08·25 am • 2 notes

The materiality of paint is to be taken literally in Marian Breedveld’s paintings. Thickly applied, paint moves away from all forms of illusionism requiring renewed attention from the viewer.

The thickness of its application, the ‘stratification’ of the paint becomes the meaning of the work. The many layers on top of each other do not create a representational image, but of vision of substance leading to a physical sensation …

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  1. thomasraukamp posted this
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